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Дос Пассос, Джон - Пассос - One Man's Initiation: 1917 (engl)Проза и поэзия >> Переводная проза >> Дос Пассос, Джон Читать целиком дРЛК дЛЗ мВЗЗЛЗ. One Man's Initiation: 1917
One Man's Initiation: 1917
A Novel
By John Dos Passos
1920
To the memory of those with whom I saw rockets in the sky, on the road
between Erize-la-Petite and Erize-la-Grande, in that early August twilight
in the summer of 1917.
Notes
One Man's Initiation: 1917 was first published in London in October,
1920 by George Allen & Unwin Ltd. The original manuscript and corrected
page proofs have not been found. The first American edition was published in
June, 1922, by Goerge H. Doran Company, New York. The Philosophical Library
reprinted the book in 1945, under the title First Encounter, with a new
introduction by the author.
In 1969 a new edition was published by Cornell University Press,
copyright 1969 by John Dos Passos. This edition, based on uncorrected page
proofs of the first edition, and with consultation with the author, restored
several passages expurgated or bowdlerized from the first edition. Along
with several illustrations by the author, and a new (1968) introduction by
Dos Passos including long extracts from his journal, this attractive book,
Library of Congress Catalog Card Number 69-15945, and catalog nubmer
PZ3.D740N5, is the authoritative one now. We have not violated the author's
copyright by including any of the new material.
Chapter I
IN the huge shed of the wharf, piled with crates and baggage, broken by
gang-planks leading up to ships on either side, a band plays a tinselly
Hawaiian tune; people are dancing in and out among the piles of trunks and
boxes. There is a scattering of khaki uniforms, and many young men stand in
groups laughing and talking in voices pitched shrill with excitement. In the
brown light of the wharf, full of rows of yellow crates and barrels and
sacks, full of racket of cranes, among which winds in and out the trivial
lilt of the Hawaiian tune, there is a flutter of gay dresses and coloured
hats of women, and white handkerchiefs.
The booming reverberation of the ship's whistle drowns all other sound.
After it the noise of farewells rises shrill. White handkerchiefs are
agitated in the brown light of the shed. Ropes crack in pulleys as the
gang-planks are raised.
Again, at the pierhead, white handkerchiefs and cheering and a flutter
of coloured dresses. On the wharf building a flag spreads exultingly against
the azure afternoon sky.
Rosy yellow and drab purple, the buildings of New York slide together
into a pyramid above brown smudges of smoke standing out in the water,
linked to the land by the dark curves of the bridges.
In the fresh harbour wind comes now and then a salt-wafting breath off
the sea.
Martin Howe stands in the stern that trembles with the vibrating push
of the screw. A boy standing beside him turns and asks in a tremulous voice,
"This your first time across?"
"Yes. . . . Yours?"
"Yes. . . . I never used to think that at nineteen I'd be crossing the
Atlantic to go to a war in France." The boy caught himself up suddenly and
blushed. Then swallowing a lump in his throat he said, "It ought to be time
to eat."
"God help Kaiser Bill!
O-o-o old Uncle Sam.
He's got the cavalry,
He's got the infantry,
He's got the artillery;
And then by God we'll all go to Germany!
God help Kaiser Bill!"
The iron covers are clamped on the smoking-room windows, for no lights
must show. So the air is dense with tobacco smoke and the reek of beer and
champagne. In one corner they are playing poker with their coats off. All
the chairs are full of sprawling young men who stamp their feet to the time,
and bang their fists down so that the bottles dance on the tables.
"God help Kaiser Bill."
Sky and sea are opal grey. Martin is stretched on the deck in the bow
of the boat with an unopened book beside him. He has never been so happy in
his life. The future is nothing to him, the past is nothing to him. All his
life is effaced in the grey languor of the sea, in the soft surge of the
water about the ship's bow as she ploughs through the long swell, eastward.
The tepid moisture of the Gulf Stream makes his clothes feel damp and his
hair stick together into curls that straggle over his forehead. There are
porpoises about, lazily tumbling in the swell, and flying-fish skim from one
grey wave to another, and the bow rises and falls gently in rhythm with the
surging sing-song of the broken water.
Martin has been asleep. As through infinite mists of greyness he looks
back on the sharp hatreds and wringing desires of his life. Now a leaf seems
to have been turned and a new white page spread before him, clean and
unwritten on. At last things have come to pass.
And very faintly, like music heard across the water in the evening,
blurred into strange harmonies, his old watchwords echo a little in his
mind. Like the red flame of the sunset setting fire to opal sea and sky, the
old exaltation, the old flame that would consume to ashes all the lies in
the world, the trumpet-blast under which the walls of Jericho would fall
down, stirs and broods in the womb of his grey lassitude. The bow rises and
falls gently in rhythm with the surging sing-song of the broken water, as
the steamer ploughs through the long swell of the Gulf Stream, eastward.
"See that guy, the feller with the straw hat; he lost five hundred
dollars at craps last night."
"Some stakes."
It is almost dark. Sea and sky are glowing claret colour, darkened to a
cold bluish-green to westward. In a corner of the deck a number of men are
crowded in a circle, while one shakes the dice in his hand with a strange
nervous quiver that ends in a snap of the fingers as the white dice roll on
the deck.
"Seven up." From the smoking-room comes a sound of singing and glasses
banged on tables.
"Oh, we're bound for the Hamburg show,
To see the elephant and the wild kangaroo,
An' we'll all stick together
In fair or foul weather,
For we're going to see the damn show through!"
On the settee a sallow young man is shaking the ice in a
whisky-and-soda into a nervous tinkle as he talks: "There's nothing they can
do against this new gas. . . . It just corrodes the lungs as if they were
rotten in a dead body. In the hospitals they just stand the poor devils up
against a wall and let them die. They say their skin turns green and that it
takes from five to seven days to die--five to seven days of slow choking."
"Oh, but I think it's so splendid of you"--she bared all her teeth,
white and regular as those in a dentist's show-case, in a smile as she
spoke--"to come over this way to help France."
"Perhaps it's only curiosity," muttered Martin.
"Oh no. . . . You're too modest. . . . What I mean is that it's so
splendid to have understood the issues. . . . That's how I feel. I just told
dad I'd have to come and do my bit, as the English say."
"What are you going to do?"
"Something in Paris. I don't know just what, but I'll certainly make
myself useful somehow." She beamed at him provocatively. "Oh, if only I was
a man, I'd have shouldered my gun the first day; indeed I would."
"But the issues were hardly . . . defined then," ventured Martin.
"They didn't need to be. I hate those brutes. I've always hated the
Germans, their language, their country, everything about them. And now that
they've done such frightful things . . ."
"I wonder if it's all true . . ." "True! Oh, of course it's all true;
and lots more that it hasn't been possible to print, that people have been
ashamed to tell."
"They've gone pretty far," said Martin, laughing.
"If there are any left alive after the war they ought to be
chloroformed. . . . And really I don't think it's patriotic or humane to
take the atrocities so lightly. . . . But really, you must excuse me if you
think me rude; I do get so excited and wrought up when I think of those
frightful things. . . . I get quite beside myself; I'm sure you do too, in
your heart. . . . Any red-blooded person would."
"Only I doubt . . ."
"But you're just playing into their hands if you do that. . . . Oh,
dear, I'm quite beside myself, just thinking of it." She raised a small
gloved hand to her pink cheek in a gesture of horror, and settled herself
comfortably in her deck chair. "Really, I oughtn't to talk about it. I lose
all self-control when I do. I hate them so it makes me quite ill. . . . The
curs! The Huns! Let me tell you just one story. . . . I know it'll make your
blood boil. It's absolutely authentic, too. I heard it before I left New
York from a girl who's really the best friend I have on earth. She got it
from a friend of hers who had got it directly from a little Belgian girl,
poor little thing, who was in the convent at the time. . . . Oh, I don't see
why they ever take any prisoners; I'd kill them all like mad dogs."
"What's the story?"
"Oh, I can't tell it. It upsets me too much. . . . No, that's silly,
I've got to begin facing realities. . . . It was just when the Germans were
taking Bruges, the Uhlans broke into this convent. . . . But I think it was
in Louvain, not Bruges. . . . I have a wretched memory for names. . . .
Well, they broke in, and took all those poor defenceless little girls . . ."
"There's the dinner-bell."
"Oh, so it is. I must run and dress. I'll have to tell you later. . .
."
Through half-closed eyes, Martin watched the fluttering dress and the
backs of the neat little white shoes go jauntily down the deck.
The smoking-room again. Clink of glasses and chatter of confident
voices. Two men talking over their glasses.
"They tell me that Paris is some city."
"The most immoral place in the world, before the war. Why, there are
houses there where . . ." his voice sank into a whisper. The other man burst
into loud guffaws.
"But the war's put an end to all that. They tell me that French people
are regenerated, positively regenerated."
"They say the lack of food's something awful, that you can't get a
square meal. They even eat horse."
"Did you hear what those fellows were saying about that new gas? Sounds
frightful, don't it? I don't care a thing about bullets, but that kind o'
gives me cold feet... . . I don't give a damn about bullets, but that gas. .
. ."
"That's why so many shoot their friends when they're gassed. . . . "
"Say, you two, how about a hand of poker?
A champagne cork pops.
"Jiminy, don't spill it all over me."
"Where we goin', boys?"
"Oh, we're going to the Hamburg show
To see the elephant and the wild kangaroo,
And we'll all stick together
In fair or foul weather,
For we're going to see the damn show through!"
Chapter II
BEFORE going to bed Martin had seen the lighthouses winking at the
mouth of the Gironde, and had filled his lungs with the new, indefinably
scented wind coming off the land. The sound of screaming whistles of
tugboats awoke him. Feet were tramping on the deck above his head. The
shrill whine of a crane sounded in his ears and the throaty cry of men
lifting something in unison.
Through his port-hole in the yet colourless dawn he saw the reddish
water of a river with black-hulled sailing-boats on it and a few lanky
little steamers of a pattern he had never seen before. Again he breathed
deep of the new indefinable smell off the land.
Once on deck in the cold air, he saw through the faint light a row of
houses beyond the low wharf buildings, grey mellow houses of four storeys
with tiled roofs and intricate ironwork balconies, with balconies in which
the ironwork had been carefully twisted by artisans long ago dead into
gracefully modulated curves and spirals.
Some in uniform, some not, the ambulance men marched to the station,
through the grey streets of Bordeaux. Once a woman opened a window and
crying, "Vive l'AmУrique," threw out a bunch of roses and daisies. As they
were rounding a corner, a man with a frockcoat on ran up and put his own hat
on the head of one of the Americans who had none. In front of the station,
waiting for the train, they sat at the little tables of cafУs, lolling
comfortably in the early morning sunlight, and drank beer and cognac.
Small railway carriages into which they were crowded so that their
knees were pressed tight together--and outside, slipping by, blue-green
fields, and poplars stalking out of the morning mist, and long drifts of
poppies. Scarlet poppies, and cornflowers, and white daisies, and the
red-tiled roofs and white walls of cottages, all against a background of
glaucous green fields and hedges. Tours, Poitiers, OrlУans. In the names of
the stations rose old wars, until the floods of scarlet poppies seemed the
blood of fighting men slaughtered through all time. At last, in the
gloaming, Paris, and, in crossing a bridge over the Seine, a glimpse of the
two linked towers of Notre Dame, rosy grey in the grey mist up the river.
"Say, these women here get my goat."
"How do you mean?"
"Well, I was at the Olympia with Johnson and that crowd. They just
pester the life out of you there. I'd heard that Paris was immoral, but
nothing like this."
"It's the war."
"But the Jane I went with . . ."
"Gee, these Frenchwomen are immoral. They say the war does it."
"Can't be that. Nothing is more purifying than sacrifice."
"A feller has to be mighty careful, they say."
"Looks like every woman you saw walking on the street was a whore. They
certainly are good-lookers though."
"King and his gang are all being sent back to the States."
"I'll be darned! They sure have been drunk ever since they got off the
steamer."
"Raised hell in Maxim's last night. They tried to clean up the place
and the police came. They were all soused to the gills and tried to make
everybody there sing the 'Star Spangled Banner.'"
"Damn fool business."
Martin Howe sat at a table on the sidewalk under the brown awning of a
restaurant. Opposite in the last topaz-clear rays of the sun, the foliage of
the Jardin du Luxembourg shone bright green above deep alleys of bluish
shadow. From the pavements in front of the mauve-coloured houses rose little
kiosks with advertisements in bright orange and vermilion and blue. In the
middle of the triangle formed by the streets and the garden was a round pool
of jade water. Martin leaned back in his chair looking dreamily out through
half-closed eyes, breathing deep now and then of the musty scent of Paris,
that mingled with the melting freshness of the wild strawberries on the
plate before him.
As he stared in front of him two figures crossed his field of vision. A
woman swathed in black crepe veils was helping a soldier to a seat at the
next table. He found himself staring in a face, a face that still had some
of the chubbiness of boyhood. Between the pale-brown frightened eyes, where
the nose should have been, was a triangular black patch that ended in some
mechanical contrivance with shiny little black metal rods that took the
place of the jaw. He could not take his eyes from the soldier's eyes, that
were like those of a hurt animal, full of meek dismay. Someone plucked at
Martin's arm, and he turned suddenly, fearfully.
A bent old woman was offering him flowers with a jerky curtsey.
"Just a rose, for good luck?"
"No, thank you."
"It will bring you happiness."
He took a couple of the reddest of the roses.
"Do you understand the language of flowers?"
"No."
"I shall teach you. . . . Thank you so much. . . . Thank you so much."
She added a few large daisies to the red roses in his hand.
"These will bring you love. . . . But another time I shall teach you
the language of flowers, the language of love."
She curtseyed again, and began making her way jerkily down the
sidewalk, jingling his silver in her hand.
He stuck the roses and daisies in the belt of his uniform and sat with
the green flame of Chartreuse in a little glass before him, staring into the
gardens, where the foliage was becoming blue and lavender with evening, and
the shadows darkened to grey-purple and black. Now and then he glanced
furtively, with shame, at the man at the next table. When the restaurant
closed he wandered through the unlighted streets towards the river,
listening to the laughs and conversations that bubbled like the sparkle in
Burgundy through the purple summer night.
But wherever he looked in the comradely faces of young men, in the
beckoning eyes of women, he saw the brown hurt eyes of the soldier, and the
triangular black patch where the nose should have been.
Chapter III
AT Epernay the station was wrecked; the corrugated tin of the roof hung
in strips over the crumbled brick walls.
"They say the Boches came over last night. They killed a lot of
permissionaires."
"That river's the Maine."
"Gosh, is it? Let me get to the winder."
The third-class car, joggling along on a flat wheel, was full of the
smell of sweat and sour wine. Outside, yellow-green and blue-green, crossed
by long processions of poplars, aflame with vermilion and carmine of
poppies, the countryside slipped by. At a station where the train stopped on
a siding, they could hear a faint hollow sound in the distance: guns.
Croix de Guerre had been given out that day at the automobile park at
Ch lons. There was an unusually big dinner at the wooden tables in the
narrow portable barracks, and during the last course the General passed
through and drank a glass of champagne to the health of all present.
Everybody had on his best uniform and sweated hugely in the narrow, airless
building, from the wine and the champagne and the thick stew, thickly
seasoned, that made the dinner's main course.
"We are all one large family," said the General from the end of the
barracks . . . "to France."
That night the wail of a siren woke Martin suddenly and made him sit up
in his bunk trembling, wondering where he was. Like the shriek of a woman in
a nightmare, the wail of the siren rose and rose and then dropped in pitch
and faded throbbingly out.
"Don't flash a light there. It's Boche planes."
Outside the night was cold, with a little light from a waned moon.
"See the shrapnel!" someone cried.
"The Boche has a Mercedes motor," said someone else. "You can tell by
the sound of it."
"They say one of their planes chased an ambulance ten miles along a
straight road the other day, trying to get it with a machinegun. The man who
was driving got away, but he had shell-shock afterwards."
"Did he really?"
"Oh, I'm goin' to turn in. God, these French nights are cold!"
The rain pattered hard with unfaltering determination on the roof of
the little arbour. Martin lolled over the rough board table, resting his
chin on his clasped hands, looking through the tinkling bead curtains of the
rain towards the other end of the weed-grown garden, where, under a canvas
shelter, the cooks were moving about in front of two black steaming
cauldrons. Through the fresh scent of rain-beaten leaves came a greasy smell
of soup. He was thinking of the jolly wedding-parties that must have drunk
and danced in this garden before the war, of the lovers who must have sat in
that very arbour, pressing sunburned cheek against sunburned cheek, twining
hands callous with work in the fields. A man broke suddenly into the arbour
behind Martin and stood flicking the water off his uniform with his cap. His
sand-coloured hair was wet and was plastered in little spikes to his broad
forehead, a forehead that was the entablature of a determined rock-hewn
face.
"Hello," said Martin, twisting his head to look at the newcomer. "You
section twenty-four?"
"Yes. . . . Ever read 'Alice in Wonderland'?" asked the wet man,
sitting down abruptly at the table.
"Yes, indeed."
"Doesn't this remind you of it?"
"What?"
"This war business. Why, I keep thinking I'm going to meet the rabbit
who put butter in his watch round every corner."
"It was the best butter."
"That's the hell of it."
"When's your section leaving here?" asked Martin, picking up the
conversation after a pause during which they'd both stared out into the
rain. They could hear almost constantly the grinding roar of camions on the
road behind the cafУ and the slither of their wheels through the mud-puddles
where the road turned into the village.
"How the devil should I know?"
"Somebody had dope this morning that we'd leave here for Soissons
to-morrow." Martin's words tailed off into a convictionless mumble.
"It surely is different than you'd pictured it, isn't it, now?"
They sat looking at each other while the big drops from the leaky roof
smacked on the table or splashed cold in their faces.
"What do you think of all this, anyway?" said the wet man suddenly,
lowering his voice stealthily.
"I don't know. I never did expect it to be what we were taught to
believe. . . . Things aren't."
"But you can't have guessed that it was like this . . . like Alice in
Wonderland, like an ill-intentioned Drury Lane pantomime, like all the dusty
futility of Barnum and Bailey's Circus."
"No, I thought it would be hair-raising," said Martin.
"Think, man, think of all the oceans of lies through all the ages that
must have been necessary to make this possible! Think of this new particular
vintage of lies that has been so industriously pumped out of the press and
the pulpit. Doesn't it stagger you?"
Martin nodded.
"Why, lies are like a sticky juice overspreading the world, a living,
growing flypaper to catch and gum the wings of every human soul. . . . And
the little helpless buzzings of honest, liberal, kindly people, aren't they
like the thin little noise flies make when they're caught?"
"I agree with you that the little thin noise is very silly," said
Martin.
Martin slammed down the hood of the car and stood upright. A cold
stream of rain ran down the sleeves of his slicker and dripped from his
greasy hands.
Infantry tramped by, the rain spattering with a cold glitter on grey
helmets, on gun-barrels, on the straps of equipment. Red sweating faces,
drooping under the hard rims of helmets, turned to the ground with the
struggle with the weight of equipment; rows and patches of faces were the
only warmth in the desolation of putty-coloured mud and bowed mud-coloured
bodies and dripping mud-coloured sky. In the cold colourlessness they were
delicate and feeble as the faces of children, rosy and soft under the
splattering of mud and the shagginess of unshaven beards.
Martin rubbed the back of his hand against his face. His skin was like
that, too, soft as the petals of flowers, soft and warm amid all this dead
mud, amid all this hard mud-covered steel.
He leant against the side of the car, his ears full of the heavy
shuffle, of the jingle of equipment, of the splashing in puddles of
water-soaked boots, and watched the endless rosy patches of faces moving by,
the faces that drooped towards the dripping boots that rose and fell,
churning into froth the soupy, putty-coloured mud of the road.
The schoolmaster's garden was full of late roses and marigolds, all
parched and bleached by the thick layer of dust that was over them. Next to
the vine-covered trellis that cut the garden off from the road stood a green
table and a few cane chairs. The schoolmaster, something charmingly
eighteenth-century about the cut of his breeches and the calves of his legs
in their thick woollen golf-stockings, led the way, a brown pitcher of wine
in his hand. Martin Howe and the black-haired, brown-faced boy from New
Orleans who was his car-mate followed him. Then came a little grey woman in
a pink knitted shawl, carrying a tray with glasses.
"In the Verdunois our wine is not very good," said the schoolmaster,
bowing them into chairs. "It is thin and cold like the climate. To your
health, gentlemen."
"To France."
"To America."
"And down with the Boches."
In the pale yellow light that came from among the dark clouds that
passed over the sky, the wine had the chilly gleam of yellow diamonds.
"Ah, you should have seen that road in 1916," said the schoolmaster,
drawing a hand over his watery blue eyes. "That, you know, is the Voie
SacrУe, the sacred way that saved Verdun. All day, all day, a double line of
camions went up, full of ammunition and ravitaillement and men."
"Oh, the poor boys, we saw so many go up, came the voice, dry as the
rustling of the wind in the vine-leaves, of the grey old woman who stood
leaning against the schoolmaster's chair, looking out through a gap in the
trellis at the rutted road so thick with dust, "and never have we seen one
of them come back."
"It was for France."
"But this was a nice village before the war. From Verdun to Bar-le-Duc,
the Courrier des Postes used to tell us, there was no such village, so clean
and with such fine orchards." The old woman leaned over the schoolmaster's
shoulder, joining eagerly in the conversation.
"Even now the fruit is very fine," said Martin.
"But you soldiers, you steal it all," said the old woman, throwing out
her arms. "You leave us nothing, nothing."
"We don't begrudge it," said the schoolmaster, "all we have is our
country's."
"We shall starve then. . . ."
As she spoke the glasses on the table shook. With a roar of heavy
wheels and a grind of gears a camion went by.
"O good God!" The old woman looked out on to the road with terror in
her face, blinking her eyes in the thick dust.
Roaring with heavy wheels, grinding with gears, throbbing with motors,
camion after camion went by, slowly, stridently. The men packed into the
camions had broken through the canvas covers and leaned out waving their
arms and shouting.
"Oh, the poor children," said the old woman, wringing her hands, her
voice lost in the roar and the shouting.
"They should not destroy property that way," said the schoolmaster. .
.. "Last year it was dreadful. There were mutinies."
Martin sat, his chair tilted back, his hands trembling, staring with
compressed lips at the men who jolted by on the strident, throbbing camions.
A word formed in his mind: tumbrils.
In some trucks the men were drunk and singing, waving their bidons in
the air, shouting at people along the road, crying out all sorts of things:
"Get to the front!" "Into the trenches with them!" "Down with the war!" In
others they sat quiet, faces corpse-like with dust. Through the gap in the
trellis Martin stared at them, noting intelligent faces, beautiful faces,
faces brutally gay, miserable faces like those of sobbing drunkards.
At last the convoy passed and the dust settled again on the rutted
road.
"Oh, the poor children!" said the old woman. "They know they are going
to death."
They tried to hide their agitation. The schoolmaster poured out more
wine.
"Yes," said Martin, "there are fine orchards on the hills round here."
"You should be here when the plums are ripe," said the schoolmaster.
A tall bearded man, covered with dust to the eyelashes, in the uniform
of a commandant, stepped into the garden.
"My dear friends!" He shook hands with the schoolmaster and the old
woman and saluted the two Americans. "I could not pass without stopping a
moment. We are going up to an attack. We have the honour to take the lead."
"You will have a glass of wine, won't you?"
"With great pleasure."
"Julie, fetch a bottle, you know which. . . . How is the morale?"
"Perfect."
"I thought they looked a little discontented."
"No. . . . It's always like that. . . . They were yelling at some
gendarmes. If they strung up a couple it would serve them right, dirty
beasts."
"You soldiers are all one against the gendarmes."
"Yes. We fight the enemy but we hate the gendarmes." The commandant
rubbed his hands, drank his wine and laughed.
"Hah! There's the next convoy. I must go."
"Good luck."
The commandant shrugged his shoulders, clicked his heels together at
the garden gate, saluted, smiling, and was gone.
Again the village street was full of the grinding roar and throb of
camions, full of a frenzy of wheels and drunken shouting.
"Give us a drink, you."
"We're the train de luxe, we are."
"Down with the war!"
And the old grey woman wrung her hands and said:
"Oh, the poor children, they know they are going to death!"
Chapter IV
MARTIN, rolled up in his bedroll on the floor of the empty hayloft,
woke with a start.
"Say, Howe!" Tom Randolph, who lay next him, was pressing his hand. "I
think I heard a shell go over."
As he spoke there came a shrill, loudening whine, and an explosion that
shook the barn. A little dirt fell down on Martin's face.
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Бомж подходит к двум студентам, идущим по улице... Один категорически отказывается дать ему денег, другой порылся в кармане - и дал бомжу несколько рублей.
- Зачем ты это сделал?! - спрашивает первый. - Ты же знаешь, что он всё потратит на водку!
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